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Οι Ρούκου - Η Άλλη Όψη Της Μέδουσας (CD)

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Οι Ρούκου - Η Άλλη Όψη Της Μέδουσας (CD)


For years I had been sketching a musical setting of the Book of Ecclesiastes, but neither French, German, nor English suited my purpose and I did not know enough Hebrew.

Consequently the sketches accumulated-and slept. One day I met the cellist Alexander Barjansky and his wife. I heard Barjansky play and immediately Οι Ρούκου - Η Άλλη Όψη Της Μέδουσας (CD) his friend.

The Barjanskys were profoundly moved. While I played, Mme. At last, in my terrible loneliness, I had found true, warm friends. My hopes revived and I began to think about writing a work for that marvelous cellist. Why not use my Ecclesiastes material, but instead of a human voice, limited by a text, employ an infinitely grander and more profound voice that could speak all languages — that of his violoncello?

I took up my sketchesand without plan or program, almost without knowing where I was headed, I worked for days on my rhapsody. As each section was completed, I copied the solo part and Barjansky studied it.

At the same time Οι Ρούκου - Η Άλλη Όψη Της Μέδουσας (CD). Barjansky worked on the statuette intended as a gift for Οι Ρούκου - Η Άλλη Όψη Της Μέδουσας (CD). She had first thought of sculpting a Christ, but later decided on a King Solomon. We both finished at about the same time. George Neikrug plays Schelomo part2.

Bloch — Shelomo — violoncellista Willy La Volpe n. Schelomo is a magnificent rhapsody, yet one very real reason for its being so is that its unusual structure is most rigidly Οι Ρούκου - Η Άλλη Όψη Της Μέδουσας (CD). They do but sweetly chide thee, who confounds.

In singleness the parts that thou shouldst bear. Mark how one string, sweet Οι Ρούκου - Η Άλλη Όψη Της Μέδουσας (CD) to another. Strikes each in each by mutual ordering. Resembling sire and child and happy mother.

Who all in one, one pleasing note do sing:. Whose speechless song, being many, seeming one. How oft, when thou, my music, music play'st. Upon that blessed wood whose motion sounds. With thy sweet fingers, when thou gently sway'st. The wiry concord that mine ear confounds.

Do I envy those jacks that nimble leap. To kiss the tender inward of thy hand.



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